Psychogeography #04
Periphery, Artspace Gallery, Melbourne, Australia 2009
Drawing Field #02, La Chambre Blanche Gallery, Quebec 2008
Chemical photographic processes working directly with
varying weather conditions
Sites:
Quebec, Melbourne, Adelaide and Queensland
To Keep On Going: drawing/the/field
(section from Drawing Field #01 essay)
Dr Linda Marie Walker
(“It’s fields. Gravity is a field – a field of potential attraction, collision, orbit, of potential centripetal and centrifugal movements. All these potentials form such complex interference patterns when … fields overlap that a measure of indeterminacy creeps in.” (Brian Massumi, ‘Navigating Movements’, in Mary Zournazi, Hope, New Philosophies For Change, Pluto Press, Annandale, 2002: 222))
Drawings are this/that – drawings/photographs – and different from both this or that; they look like something in the middle of something, and something finished with something (destroyed even). They are real places too, outlines from above; saturated, intricate. The drawings are in light of another kind (working-drawings/photographs); maps for the living (or not). They are fields, allusive, and active (caught while transforming). The drawings exactly where they are, enticing, truly available in their intensity (expansive, as if music, or sound falling from the air): in place, gestured, a lingering, blur, blotch, and always ‘the line'...
